Results tagged “hellokitty”

After seeing two women-centered movies at the Frameline LGBT Film Festival on Friday night, we've determined that you can tell the difference between a lesbian movie made for a mainstream audience and a lesbian movie made for lesbians by the so-called "butch" in the film.

SFist interviews Alexandra Lipsitz, Director of Air Guitar Nation

Long-time readers of SFist will know that we love (love!) all things Air Guitar, both for its obvious silliness and its devotion to the rawk. So when we heard that Air Guitar Nation was playing at the San Francisco Independent Asian Film Festival, we knew we were destined to see it. How was it? Well, we’ll describe it using the one word we heard other people describe it-- awesome.

"He is like a cross between Liberace and Hello Kitty. He is out of his gourd." - Bevan Dufty describing Han Shin (aka Purple Gloves) to the Bay Area Reporter.

SFist interviews Leah Kramer of Craftster

We went to WonderCon and all we got was this lousy MI:III baseball cap. But at least it will keep our War of the Worlds t-shirt company in the junk drawer.

A 12 Galaxies audience came to hear Les Claypool, but they got Gabby La La instead, with Claypool on bass. Here's what we thought of the show.

While last week was a veritable snooze in terms of new DVD releases, this week is a DVD potpourri. So much so that it's hard to cover them all. Suffice it to say, any week that features Shrek, Jeff Spicoli, Ali G., Hello Kitty, and James T. Kirk is a pretty good week. And if that's not good enough, this week also features DVD releases of the Three's Company- the Third Season and Too Close for Comfort- the First Season. We know, what more could a person possibly want? We're sure the five fans of Jm J. Bullock are pleased as punch.

. They were tripped out, looked great in velvet, and frickin’ rocked. In fact, we still occasionally put on our old casette of “Gish” and do some serious head-banging. We thought “Siamese Dreams” was cool if a bit over-done and thought “Melon Collie and the Infinite Sadness” was mighty impressive if a bit too long. But then, just as they could almost be called the Biggest Rock Band in the World, it all came to a crashing halt. “Adore” was alright if a bit too sedate (not to mention over-long) but “Machina: The Machine of Gods” pretty much sucked. Then came the inevitable band break-up, online feuding, and career drift (ie Zwan).